Heading up the valley of the Khiidiin Gol, a tributary of the Tuul Gol, toward Khiidiin Saridgiin Uul and the ruins of Saridgiin Khiid.

8,474-foot Khiidiin Saridgiin Uul

Khiidiin Gol and Khiidiin Saridgiin Uul beyond. Khiidiin Gol is famous locally for its very soft water which is excellent for tea. Women also like to Wash Their Hair Here.

Saridgiin Khiid

Monastic Center Founded by Zanabazar, the First Bogd Gegeen of Mongolia

Location: N48º27.719 – E107º59.591. Töv Aimag. In the valley of the Khiidiin Gol, a tributary of the Tuul River. Accessible only by horse from the sum center of Möngönmort in Töv Aimag twenty-three miles to the east-southeast or the Terelj resort area forty miles to the southwest.

Zanabazar obtained his preliminary ordination as a monk of the Sakya sect of Tibetan Buddhism at Shireet Tsagaan Nuur in Övörkhangai Aimag, where he received the title of Sumati-Sakya-Dodza, “He Who Hold the Sakya Banner of the Great Mind.” During his 1649–51 sojourn in Tibet he was converted to the Gelug sect of Tibetan Buddhism by the 5th Dalai Lama. Upon his return to Mongolia he set about converting existing Sakya institutions to the Gelug sect and establishing new Gelug monasteries. Apart from establishing Gelug monasteries, little is known about Zanabazar’s attempts to instill the Gelug doctrines in Mongolia. The Russian ethnologist Pozdneev, surveying the traditional Mongolian accounts available in the 1890s, exclaimed:

What is remarkable is the total absence of testimony concerning the manner in which the Gegen, having become a worshipper of the Da­lai Lama and a follower of the Ge-lug-bas [Gelug sect], forced out the rites and theories of the Sakya sect, which up to that time had been accepted in Khalkha. In all probability, the Ge-lug-ba lamas who accompanied the Gegen, seeing that the theoretical knowledge was but slightly developed in Khalkha, decided that the Khalkas might be converted without any struggle and that all that would be necessary would be to conduct the matter steadfastly and to introduce every innovation gradually, and then the people would not even notice the transition from one sect to another.

Thus it would appear—keeping in mind that most subsequent histories were written by Gelug monks—that Mongolia was spared the sectarian strife which had plagued Tibet in the 1630s and early 1640s and resulted in the forceful suppression of the Jonang Sect to which Zanabazar’s previous incarnation, Taranatha, had belonged.

In 1654 we find Zanabazar in the Baga Khentii Mountains, part of the Khentii Range in what now Töv Aimag. Above the valley of a small tributary of the Tuul River in what is now a very remote area sixty-three miles north of current-day Ulaan Baatar, Zanabazar established a new Gelug monastery with the official name of Ribo-Gejai-Gandan-Shadublin. It became more commonly known as Saridgiin Khiid and like Zanabazar’s other residences was also known as Ikh Khüree.

At least one source indicates that the Panchen Lama, with whom Zanabazar studied while in Tibet, instructed him to build Saridgiin Khiid. Unlike Erdene Zuu, which had been built by his great-grand­father Avtai, and Shankh Monastery, which had been established by Zanabazar when he was still a member of the Sakya sect, Saridgiin Khiid was solely Zanabazar’s creation and would be a Gelug institution from its founding. Apparently Zanabazar planned to make this new monastery, located in a remote area removed from the immediate influence of any other monasteries or settlements, the new center of Buddhism in Mongolia.

The monastery is in the middle of the wooded area on the side of Khiidiin Saridgiin Uul

Ruins of the monastery

Ruins of the monastery

On the lower slope of 8,747-foot Khiidiin Saridgiin Uul, at an elevation of about 6000 feet, a naturally occurring terrace was built up and enlarged into a flat area measuring some 650 by 575 feet. Here eventually were to be built seven large temples, three big stupas, and attendant buildings. Perhaps influenced by what he had seen in Tibet and by the Tibetan monks and artisans in his entourage, Zanabazar employed Tibetan designs in the construction of the temples, the largest of which, the Tsogchin Temple, had 108 pillars. An Amdo aimag, or section of the monastery, made up in large part of Tibetan lamas from Amdo (parts of present-day Qinghai and Gansu provinces of China inhabited by Tibetans, among other ethnic groups) who had accompanied Zanabazar back from Tibet, was eventually established, along with several other aimags and a tantric college. Zanabazar composed new prayers and rituals for the monastery, and the Panchen Lama sent two monks from Tibet to assist him in the creation of new liturgical music. The entire complex was not completed until 1680. In 1686 Zanabazar consecrated new statues at the monastery—perhaps the Five Transcendent Buddhas now on display at the Zanabazar Fine Arts Museum and the Choijin Lama Museum.

Unfortunately, the monastery was short-lived. When Zanabazar’s long-time nemesis the Zungarian Khan Galdan Bolshigt invaded Khalkh Mongolia in 1688 Zanabazar fled eastward and was believed to have gone to Saridgiin Khiid. Galdan and his army followed in hot pursuit. According to a tale told by local informants, perhaps apocry­phal, the monks at the monastery were warned of Galdan’s approach and went into hiding places in the woods. Galdan and his men arrived at Saridgiin Khiid only to find the monastery totally abandoned. Intent on pursuing Zanabazar, they were about to leave without destroying the monastery when a fly with a blade of dried grass tied to its leg landed on the shoulder of one of Galdan’s men. Alerted that there must be people, probably monks, nearby, Galdan’s men searched the woods but were unable to find anyone. Enraged by this, they proceeded to demolish the monastery. Thus, according to the moral drawn from this by the local informants, Saridgiin Khiid was destroyed because of the thoughtless prank of a monk who, becoming bored while hiding, tied a blade of grass to a fly’s leg.

Corner of the 108-Pillar Tsogchin Temple

Corner of the 108-Pillar Tsogchin Temple

Large building stones interspersed with smaller slabs. This feauture, said to be protection against earthquakes, is often seen in temples in Tibet.

Whatever the circumstances, the monastery was almost completely razed. When Zanabazar returned in the early 1700s from exile in China he refurbished Erdene Zuu and other monasteries which had been damaged in the wars with Galdan but for reasons unclear he never at­tempted to re-establish Saridgiin Khiid. The site was completely aban­doned and today very few people apart from local hunters and plant gatherers who venture into the Baga Khentii Mountains are aware of its location. The ruins are in a thick larch forest several hundred yards from the horse trail that leads from the valley of the Tuul River over 6657-foot Khiidiin Davaa to Khargiin Khar Nuur and Yestiin Hot Springs and are very difficult to find unless you know the exact location. Of the large Tibetan-style temples which Zanabazar built all that remains are several sections of stone walls, the barely discernible foundations of buildings, and what looks like the bases of stu-pas.The best preserved section of wall is up to twenty feet high and apparently belonged to the 108 pillar Tsogchin Temple. Full grown larch trees growing within several of the foundations provide testimony that the buildings themselves were destroyed over three hundred and ten years ago.

According to local informants, when Zanabazar left Saridgiin Khiid for the last time before it was destroyed he scattered incense made from artz, a species of wild juniper, on the nearby mountainsides. The artz which now grows here in profusion is said to have originally sprung up from these incense offerings. From the early eighteenth-century on up to the beginning of the communist era monks used to come here to gather this artz, which they blessed by reciting sutras. Laymen were not supposed to collect it. Now, in our more profane age, laymen do come here to gather Zanabazar’s artz, and also to search for the valuable statues and other artwork from the monastery which they believe are still hidden in the nearby mountains.

Occasional pilgrims to the monastery ruins leave behind tsats, or small clay figures

Badarchin making offering at ruins

More on Zanabazar:

xxxxx

Also see Kindle Edition

Back to Töv Aimag